Automatic Music Transcription (AMT) relies on paired audio--MIDI datasets, implicitly assuming near-perfect temporal alignment. However, widely used piano datasets have been shown to contain alignment errors that may bias model evaluation and training. We propose a framework for evaluating audio--MIDI alignment scoring methods through controlled temporal, pitch, and structural MIDI corruptions. We also introduce STI, a scoring method built on AMT models, and benchmark it against existing alignment scoring approaches. Our results show that STI, together with methods based on CENS and spectrograms, achieves the strongest overall performance, with STI exhibiting the highest sensitivity to fine-grained temporal misalignments, the main alignment error in AMT datasets. We then apply the best-performing methods to widely used piano AMT datasets and identify trends in their relative alignment quality. These results support more informed dataset curation, model training, and AMT evaluation.
https://arxiv.org/abs/2611.14443
Audio foundation models like CLAP, MuQ, and MERT excel at capturing general musical similarity. On the other hand, their entangled latent spaces limit interpretability and fine-grained attribute control. Conditional Similarity Networks (CSN) address this by pairing a backbone representation model with learned masks that gate the embedding space into attribute-specific subspaces. However, existing methods train the backbone from scratch, rather than leveraging pretrained foundation models. We instead present a systematic study of post-hoc disentanglement, adapting CSN to gate frozen pretrained embeddings. We evaluate adding trainable parameters to adapt the embedding under different masking and pooling regimes across two datasets. Our findings show that minimal adaptation capacity is sufficient for post-hoc gating to improve both attribute-specific disentanglement and overall retrieval performance, while pooling, masking, and depth choices yield limited additional gains.
https://arxiv.org/abs/2611.14415
Microphones let an autonomous vehicle sense into areas its cameras and LiDAR cannot see, by picking up the sound that other traffic participants emit. Locating those sources and fusing them with the visual perception requires the microphone array to be calibrated and registered relative to the vehicle's other sensors. Existing calibration methods assume small, unobstructed indoor rigs, whereas a vehicle body casts an acoustic shadow that straight-line propagation cannot represent, and to our knowledge no calibration of an array distributed around a vehicle has been reported. We propose a pipeline that uses a balloon burst as a single cross-modal target, which the LiDAR locates in metric coordinates, every microphone hears as a sharp onset and a camera times. Each observation is weighted by its own timing variance, which discounts shadowed arrivals instead of discarding them and needs no model of the vehicle. On a full-size vehicle with eight microphones over a 4.9 m aperture, the held-out range residual of 6.37 cm approaches the 6.07 cm floor set by the onset timing noise, and the calibrated array tracks a moving source to within a few degrees of the vehicle's own LiDAR. A dozen bursts spread around the vehicle suffice, and spreading them matters more than adding more.
https://arxiv.org/abs/2611.14003
End-to-end VITS text-to-speech models synthesize natural speech in a single forward pass, yet standard ONNX exports execute monolithically over an entire clause, delaying Time-To-First-Audio (TTFA) to several seconds and spiking activation memory. Client-side deployment across Indic scripts faces four further bottlenecks: 138.8 MB float32 checkpoints per language strain browser caches, mobile WebGPU stalls for 6-14 s compiling convolution shaders while still running slower than real time ($1.44\times$ RTF), small WebAssembly pthread pools stall at barriers on big-LITTLE mobile CPUs, and mobile Web Audio pipelines drop frames or mute output under AudioWorklet contention and iOS WKWebView rules. We present Ninada, an open-source 24 kHz TTS system covering English, Classical Sanskrit, and ten Indian languages (sa, en, hi, kn, mr, bn, ta, te, ml, gu, pa, or) across a capability-routed 48-checkpoint fleet: 24 studio HiFi-GAN v1 specialists (27.9 MB W8A32+FP16 ONNX) for desktop/WebGPU and 24 distilled c8c8_384 iSTFTNet specialists (21.7 MB ONNX, $2.64\times$ fewer vocoder MACs via an exact NOLA dual-window ConvTranspose1d inverse STFT with zero complex ops) for mobile WASM, plus a 0.0 MB zero-dependency Klatt fallback. At runtime, Ninada splits a single ONNX file in memory in $< 15$ ms into prior, flow, and windowed vocoder sub-sessions streaming 12-frame halos with raised-cosine crossfades. On $N = 480$ held-out 24 kHz studio utterances, Ninada achieves 3.22 dB 0-8 kHz MCD (3.09 dB mobile iSTFTNet; 1.33 dB 24-voice distillation MCD, vs. 5.17 dB for the 1,526.8 MB 16 kHz Meta MMS fleet) and 6.07 dB 8-12 kHz error, delivering 89-155 ms audible startup on desktop WebGPU and 538-649 ms zero-underrun streaming at 0.75-0.76x RTF on a physical Google Pixel 10 Pro XL.
https://arxiv.org/abs/2611.10035
Generating long-form speech requires models to keep content, speaker identity, turn-taking, and expressive style consistent over time. Yet most open training corpora contain examples lasting only tens of seconds and open long-form benchmarks cover at most two speakers per recording. We introduce Emilia2, a 229K-hour multilingual dataset for controllable long-form speech generation. From in-the-wild data, Emilia2 constructs short utterances, single-speaker long-form speech, and multi-speaker dialogues, preserving transcripts, speaker identities, pauses, and acoustic transitions. Examples longer than five minutes account for 50.0% of single-speaker long-form hours and 66.8% of dialogue hours. To support expressive control, Emilia2 provides natural language instructions for 4.77M examples and nonverbal-vocalization tags for 933K examples. We also introduce Emilia2-testset, 23 hours of bilingual recordings of up to 30 minutes and four speakers, each speaker paired with reference audio. We train autoregressive (AR) and non-autoregressive (NAR) models on Emilia2. Our 0.6B-backbone NAR model achieves the lowest Chinese CER and English WER on TTSD-Eval (5.27%/9.93%) among compared systems, while our AR model is on par with Qwen3-TTS-12Hz-VD on InstructTTSEval (zh/en: 76.2/78.3 vs. 77.1/77.9). These results validate Emilia2 as a comprehensive data foundation for long-form speech generation and minute-scale expressive control. Demo: this https URL.
https://arxiv.org/abs/2611.13614
Musical AI systems behave in non-linear, dynamic ways that exceed the tool-oriented framings inherited from earlier instrument design. Existing frames of control and ensemble interaction do not articulate the entangled, relational agency that emerges when performers work with AI feedback instruments over time. We examine a duet practice with two AI-enabled feedback instruments, Sù and Agentier, in which feedback operates at the inner level of the AI's recurrent processes and the outer loop of musical interaction between performer, instrument, and co-performer. Our work draws on agential realism and a diffractive dialogue methodology to read our independent reflections through one another across five performances, examining how agency is enacted between performers and AI instruments. We find that control and agency are relational and shift across performances; musical textures enact feedback moments of control with performers; reaching a productive feedback environment is itself a shared exploratory act; and performers maintain their instruments through funnelling and injection, developing the skill of navigating agency along a continuous spectrum. Feedback musicianship with AI instruments demands navigation of this relational agency, displacing the leading-versus-responding binary that initially framed our reflections. This work contributes a materially-grounded vocabulary for AI feedback musicianship and a model of human-AI creative collaboration in which mutual agency is worked for through practice rather than designed in.
https://arxiv.org/abs/2611.13555
Temporal analysis in music information retrieval concerns the positions of musical events and structures within recordings. Joint modeling has demonstrated the value of combining musical descriptions, but existing resources differ in joint coverage and expert verification across dimensions, constraining detailed joint supervision and the analysis of relationships on the same recordings. To support multitask modeling and the study of relationships among musical dimensions in popular music, we introduce FaiSonic Multidimensional Music Dataset (FaiSonic MMD), containing 500 songs totaling approximately 32.86 hours, comprising 250 Chinese-language and 250 English-language songs. Professional musicians annotate phrases, sections, chords, and rhythm in real recordings, followed by independent review. Events and intervals across dimensions share a recording-based time reference while retaining their respective musical granularity and boundaries, allowing direct comparison across musical descriptions. We describe the annotations, collection procedure, and statistics, and establish a comprehensive multitask baseline for phrase boundaries, section boundaries, section functions, chords, beats, and downbeats. We report reference performance for all prediction targets. FaiSonic MMD provides shared expert annotations and accompanying benchmarks for temporal music analysis.
https://arxiv.org/abs/2611.13503
Audio deepfake detectors that work well on clean lab recordings often degrade after telephone or platform compression. This paper asks a specific question: which low-dimensional acoustic descriptors stay informative after codec degradation? We screen 36 utterance-level features(formants, PNCCs, LFCCs, prosody) on ASVspoof 2019 data and test on the official ASVspoof 2021 LA set across seven codec conditions. Of 33 statistically significant descriptors, only four show large practical separation (|r| >0.5, bootstrap 95% CIs), all first-formant (F1) measures, highly redundant (PC1: 79% variance). The payoff is stability: the 36-feature SVM degrades 14 pp under codec mismatch (9.5%-23.5% EER), while the four-feature RBF-SVM degrades only 5.9 pp (17.0%-22.9%). The F1 subset varies 3.4 pp across conditions versus 13.1 pp for the full set. F1 differences persist after controlling for speaker identity (p greater than 10^10, mixed-effects model). The results suggest that physically interpretable F1 statistics offer a compact, codec-stable diagnostic signal that may complement higher accuracy neural detectors.
https://arxiv.org/abs/2611.13258
Antarctic whale vocalization detection requires temporally localizing call boundaries in long underwater recordings and classifying them into predefined call types. Training reliable machine learning models for this task is difficult due to the variability and sparsity of whale calls in passive acoustic monitoring datasets. These difficulties are further amplified by time-varying noise that can mask whale calls and by site-specific ambient sound characteristics to which a trained model may not generalize. In this work, we present NAVE, a Conformer-based detector that improves whale-call detection via three components. First, its input representation combines per-bin complex mean subtraction, which suppresses constant site-specific ambient sound characteristics, with an additional per-channel energy normalization (PCEN) channel that adapts to temporal variations in the noise floor. Second, a frequency-dynamic stem processes these noise-aware representations with convolutions that adapt across the characteristic frequency bands of the target call types. Third, we use a Conformer backbone with a convolution kernel matched to the duration of the target calls that adds an inductive bias and improves temporal localization. We evaluate NAVE on BioDCASE 2026 Task 2 using leave-one-site-out cross-validation across the validation sites, which approximates deployment on unseen recording sites. A single NAVE model with a tuned per-class threshold exceeds the stronger WhaleVAD-BPN baseline, using no boundary-proposal network and no search over post-processing parameters. A controlled ablation study shows that the normalized front-end and a duration-matched convolutional kernel each contribute substantially to recovering the D downsweep, the hardest class for previous detectors, with the wide kernel giving the largest aggregate gain.
https://arxiv.org/abs/2611.09642
Large language models have expanded beyond text to vision, audio, and other modalities, but understanding raw electromagnetic (EM) signals remains challenging. Wideband recordings can contain millions of samples, whereas existing waveform-based EM models are primarily evaluated on short in-phase and quadrature (IQ) segments, leaving long-recording understanding and detailed description insufficiently explored. We introduce LEMMO, a large EM model for instruction-driven recognition and description of long raw IQ recordings. LEMMO combines a linear-attention EM encoder with anti-aliased temporal resampling to process up to eight million complex samples. Its EM-text interaction module conditions learnable queries on instructions before retrieving signal evidence. Compact queries support recognition, while structured queries with auxiliary factual supervision organize scene-level properties, signal attributes, and cross-signal relationships for detailed description. We also construct and release a unified 1.38-TB corpus of real-world and synthetic EM signals, including LEMMO-ShortQA and LEMMO-LongDesc. Compared with MERLIN-LoRA, LEMMO improves mean EM-Bench perception accuracy by 15.77 %, mean strategy-generation ROUGE-L F1 by 4.38 points, and mean LEMMO-ShortQA accuracy by 14.31 %. It also improves categorical and numerical fact F1 on both LEMMO-LongDesc tasks while preserving its language backbone's MMLU performance. Our code and datasets are available at this https URL and this https URL, respectively.
https://arxiv.org/abs/2611.09476
Low-complexity causal speech separation must preserve speaker information and allocate residual mixture energy without relying on future feature frames. We present GTCRN-SS, a two-stage time-frequency separator that adapts the compact GTCRN enhancement backbone to fixed-output speech separation. The model combines internal residual allocation, reconstruction-conditioned refinement, and frame-aligned recurrent-state transfer. Its complex-mask estimator assigns non-target content to an unreturned residual branch, while the complementary speech estimate conditions a second stage whose final masks remain anchored to the original mixture. A lightweight low-rank adapter transfers causal recurrent evidence between recursive executions without adding another recurrent memory network. The neural graph excludes future feature frames and incurs only the fixed analysis look-ahead of the centered short-time Fourier transform. On noisy Libri2Mix, GTCRN-SS achieves 10.1 dB SDRi and 9.5 dB SI-SNRi with fewer than one million parameters and a low computational footprint. Independently trained ablations confirm the benefits of recurrent-state transfer and reconstruction conditioning, and corpus-level diagnostics show that the internal branch primarily captures residual rather than target-speech content. These results establish GTCRN-SS as an effective quality-efficiency operating point for causal monaural speech separation.
https://arxiv.org/abs/2611.09358
Automated red-teaming of text-to-audio models requires test prompts that pass textual screening and expose harmful acoustic content. The central challenge is to connect the sounds produced by the target model to both reusable test generation and prompt revision. Our key idea is to represent test descriptions as structured acoustic plans that organize foreground sounds, context, and vocal attributes. To this end, we propose acoustic plan learning, a framework that learns and refines these plans using waveform feedback. We train the plan generator through supervised fine-tuning followed by reinforcement learning with audio feedback while keeping the target audio model fixed. At inference time, the same trained model generates initial plans and uses feedback to revise their context and vocal attributes while preserving the foreground. Experiments across four target systems show attack success rates of 79.4% on TangoFlux and 95.6% on Kling. The resulting test prompts also transfer across open-source and closed-source models, indicating shared acoustic vulnerabilities.
https://arxiv.org/abs/2611.09351
We propose AnomSep, which combines optimiza-tion-based separation with deep neural refinement to achieve accurate anomaly detection with listenable explanations. Anomaly detection requires no predefined anomalous categories, and understanding the basis for each detection helps security personnel assess the validity of each detection. End-to-end anomaly detectors can achieve high detection accuracy but output only scalar scores, and existing anomalous sound separation methods provide listenable explanations with limited detection accuracy. AnomSep first obtains preliminary normal-sound and anomalous-sound estimates through optimization-based separation using a dictionary learned from normal sounds in the target environment. Deep neural refinement then improves the preliminary estimates in a pretrained audio latent space. The separated anomalous sound serves as the listenable explanation, and its energy determines the anomaly score. Experiments on synthetic mixtures and real mixtures show improved separation quality over baseline separators. AnomSep achieves detection performance competitive with the end-to-end baseline and provides listenable explanations directly linked to each detection decision.
https://arxiv.org/abs/2611.09279
Recent audio embedding models learn representations that transfer across clip- and frame-level tasks, yet they operate almost exclusively on single-channel signals and are blind to spatial structure. Spatial audio models capture that structure but rely on clip-level supervision or contrastive objectives, yielding embeddings unsuitable for frame-level tasks like sound event detection and localization (SELD). We argue this dichotomy is not fundamental: patch-level spatial self-supervision can jointly learn acoustic and spatial features at both temporal granularities. We introduce AudioSphere, a multi-channel masked autoencoder trained on Ambisonics recordings that reconstructs both spectral content and directional cues via a joint spatiotemporal masking strategy that masks both time-frequency patches and intensity vectors. AudioSphere supports frame-level predictions while producing strong clip-level representations via aggregation. Alongside the model, we release RealSELD, a standardized benchmark for evaluating frozen backbones on real-world multi-channel SELD. AudioSphere enables, for the first time, SELD with a frozen self-supervised backbone, while matching or exceeding prior self-supervised audio embedding models on clip-level classification tasks spanning environmental sound, speech, and music, and on frame-level sound event detection. All code and data are available at this https URL and this https URL.
https://arxiv.org/abs/2611.09275
Context is central to human auditory perception, as listeners interpret sounds within their acoustic environment to resolve ambiguity. However, large-scale datasets that jointly capture sound events and acoustic scenes remain limited. We address this by augmenting AudioSet Strong with clip-level scene annotations under two taxonomies for joint sceneevent modeling. A corpus-scale analysis shows that scene identity is better captured by events distinctive to a scene than by those that merely occur frequently. Reweighting event co-occurrences toward scene-specific associations produces representations that better align with human-derived taxonomies, while also exposing scenes where the acoustic and semantic views diverge. This geometric divergence predicts classification errors, while supervised validation confirms that the proposed scene annotations provide meaningful complementary information for developing scalable context-aware machine listening systems.
https://arxiv.org/abs/2611.09199
Large public datasets have driven recent progress in machine learning, from text and vision to speech and general audio. Music remains an outlier, as copyright blocks redistribution of training audio, while many modern tasks need individual stems rather than mixtures. Existing multitrack resources trade off realism, scale, and licensing, while synthetic alternatives rely on proprietary VSTs or naive open rendering that yields weak stems. We introduce SPDMX, a listening-guided rendering of public-domain PDMX scores into an openly-licensed stem corpus with aligned scores and an open render pipeline: $253{,}982$ songs, $490{,}159$ mono stems, and $5{,}469$ song-hours at $44.1$ kHz under CC BY 4.0, with paired MIDI and identifiers linking to PDMX metadata. $88{,}403$ songs ($34.8\%$; $2{,}734$ song-hours) provide multitrack supervision. To our knowledge, this is the largest openly-licensed synthetic multitrack subset by song-hours, enabling source separation, stem-conditioned synthesis, MIDI-to-audio, transcription, and joint symbolic-audio modeling. We release the corpus, metadata, and open pipeline for reuse on other symbolic collections. Demos and experimental notes are on the project page.
https://arxiv.org/abs/2611.09140
Speech retrieval finds relevant spoken documents given a spoken query. The spoken query alone may not reveal the retrieval goal, such as finding an answer or matching speaker identity. Instruction-aware speech retrieval expresses this goal through a natural-language text instruction. Large audio-language models (LALMs) effectively process speech and text, and our analysis shows that different retrieval requirements favor hidden states from different audio-encoder layers. We introduce IRIS-Embed, which adapts LALMs into embedding models through contrastive training and instruction-aware audio layer weighting. We construct about 900K training samples from real data and synthetic data, with instructions expressing requirements for one or more speech attributes. On INSPIRE, an instruction-aware speech retrieval benchmark, IRIS-Embed consistently outperforms the corresponding LALM baselines. The best model achieves 62.92% macro-average Recall@50, surpassing the strongest baseline at 45.15%. Controlled comparisons demonstrate instruction awareness and the benefits of audio layer weighting. On MAEB, a massive audio embedding benchmark, macro-average gains of 9.4-19.8 points over the corresponding baselines show generalization beyond speech retrieval.
https://arxiv.org/abs/2611.09122
Continuous music emotion recognition (MER) estimates how Arousal and Valence evolve within a song, yet the field's standard metric, pooled frame-level correlation, is dominated by between-song differences and cannot distinguish a model that tracks emotional dynamics from one that only ranks songs by their average level. We decompose annotation variance into between- and within-song components and show that mean squared error (MSE) targets the former, while windowed Lin's concordance correlation coefficient (CCC = $r \cdot C_b$) targets the latter by penalising the variance compression MSE induces. A single weight $\lambda$ controls the trade-off: on 1,764 DEAM songs, raising $\lambda$ from 0 to 1 lowers pooled Arousal $r$ from 0.843 to 0.810 while raising mean within-song $r$ from 0.204 to 0.368. Building on this objective, we present MMAS (Multimodal Music Analysis System), an open-source model that predicts Arousal and Valence every 0.5 s from raw audio. It fuses frozen MERT-v1-95M embeddings with ten symbolic features from automatic transcription through a dual-branch temporal convolutional network with cross-modal attention. Because both branches are audio-derived, one model trains jointly on DEAM and PMEmo without domain conditioning. Under song-grouped 5-fold cross-validation (2,531 songs), pooled $r$ reaches 0.801/0.685 (Arousal/Valence) on DEAM and 0.742/0.746 on PMEmo. Against a ridge baseline on identical features, within-song Arousal $r$ roughly triples (0.344 vs. 0.125; $n = 353$ songs, Wilcoxon $p = 1.7 \times 10^{-21}$, $d = 0.56$). Complete transcription failure costs at most 0.04 pooled $r$. Split-conformal intervals attain 93.7% (Arousal) and 90.0% (Valence) marginal coverage at a 95% target, with the shortfall traced to within-song dependence. MMAS is released as a pip-installable package.
https://arxiv.org/abs/2611.08966
Multimodal emotion recognition in conversations (MERC) integrates textual, acoustic, and visual cues to identify utterance-level emotions. However, existing approaches generally do not explicitly adapt multimodal processing to the degree of inter-modal predictive disagreement. In real conversations, semantic incongruity, concealed emotion, noisy observations, and ambiguity can affect modality-specific emotional evidence differently, while the reliability of individual modalities varies across samples. Rather than identifying each source of inconsistency separately, we model their common consequence for emotion recognition as predictive disagreement among unimodal emotion distributions over the same emotion-label set. Such disagreement makes indiscriminate fusion prone to propagating unreliable or competing evidence. Inspired by the Brunswik Lens Model, we propose MiD-ERC, a divergence-centric framework that quantifies inter-modal predictive disagreement using a normalized divergence score and estimates sample-specific modality reliability. MiD-ERC uses these signals to coordinate divergence-guided cross-modal gating, divergence-modulated reliability weighting, and divergence-conditioned adaptive LLM prompting. The framework is trained end-to-end using only standard emotion annotations, without requiring additional conflict labels, auxiliary data construction, or external retrieval modules. Experiments on IEMOCAP and MELD demonstrate that MiD-ERC achieves state-of-the-art performance, with particularly pronounced improvements on high-divergence samples.
https://arxiv.org/abs/2611.08860
Federated speech emotion recognition (SER) is challenged by speaker-dependent, class-imbalanced data and by heterogeneous client devices. This paper proposes \textit{Fuzzy-FedAvg}, a server-aware framework in which the server learns Client Selection Weights (CSWs) through fuzzy Q-learning from global-model feedback. The same CSWs weight client accuracy, training time, and \divkpi{} in both client selection and aggregation, while a dedicated PCAS node manages stragglers through staleness-discounted deferred updates. On IEMOCAP and CREMA-D, \textit{Fuzzy-FedAvg} achieves higher unweighted average recall (UAR) than FedAvg in all configurations under severe non-IID conditions, and in 22 of 24 participation-level and 10 of 12 training-horizon configurations overall. It also outperforms FedProx and Oort, while SCAFFOLD and Power-of-Choice remain competitive, and it reduces cumulative training time by 81.2\% in a FedScale-based evaluation. The benefit is greatest under strong statistical heterogeneity and narrows as data become more balanced.
https://arxiv.org/abs/2611.08818